Symbolic Pics of the Month (09/12)

By VC | September 2nd, 2012 | Category: Pics of the Month | 136 comments

In this edition of Symbolic Pics of the Month: Police state fashion, pop stars with weird t-shirts and ads that make you go hmmm…(what you know about this C + C Music Factory reference??).

This photoshoot “named State of Emergency” by photographer Steven Meisel came out in 2006 (a few years before the creation of this site). It is featured here because it eerily foreshadowed police state tactics that appeared in the following years. And it makes it sexy. This pic apparently predicted the the sexually demeaning TSA searches and pat-downs that were instated around 2010.

Another airport scene showing a mode forcibly undressed and searched at an airport check up. Again, many cases of TSA agents requesting people to undress and get patted down have appeared 3-4 years following this photoshoot.

Allusions to police brutality at an airport, complete with batons and aggressive K9 unit…and look at that dress!

Agents with TSA badges violently apprehending a model. Is it foreshadowing the next step of “airport security”?

Other pics in the shoot take place in the streets, where fashion models are brutalized by police in riot gear. Its all about making police state sexy.

Model laying on the ground with police foot on her throat…Police brutality is not glamorous.

I know I ask this often but…Is this fashion? Really?

As usual, a lot of one-eye signs popped out in mass media in August. Here’s Katy Perry with a mask hiding one eye.

Han Hyo Joo in September’s edition of Vogue Korea

On this single cover, Ayah Marar is hiding one eye and the name of the song is “Mind Controller”…Can’t really add more to that.

A gigantic hat hides one of Gwen Stefani’s eyes on the cover of Bazaar magazine.

This ad for Lady Gaga’s Little Monster mobile app reminds us that Gaga still is an Illuminati puppet.

Model Coco Rocha doing the trifecta of Illuminati signs in the NY Times: Self-mutilation, devil horns and one eye. Name of the article? “Expanding Her Efforts to Be a Role Model”

Kreyshawn’s album cover features a bunch of eyeballs and one-eyed creatures observing her. A giant one-eyed thing is wrapped around her…is she under its control? Also, there are pyramids in the background, making this thing a big Illuminati tribute.

An interesting way of portraying Mitt Romney…

Ashley Benson is known for being an actress and for wearing shirts with inverted crosses on them.

In last month’s Symbolic Pics, we saw Rihanna wearing a shirt saying “Control Minds” in the shape of an inverted cross. This month, we have Rihanna walking around with a shirt saying “Sex Kittens” – which is, as we know, a type of Monarch programming. The shackled figures convey the concept of mind control.

Illuminate your cigarette with this Illuminati lighter.

This ad for OPI nail lacquer “celebrates the incredible life & legacy of Whitney Houston”. If that’s the case, why does this thing appear to be splashing blood everywhere? Is it subtly celebrating Houston’s sacrifice? Let’s look at other ads by this same makeup company.

I guess we know who they’re rolling with…

This graph made by MTV shows the world’s richest rock stars. Notice how a bolt of lightning emerges from pyramid of artists to another pyramid with an all-seeing eye at the bottom. Is the image hinting at who or what made these artists as rich as they are?

The many articles on this site attempt to prove that the same set of symbols – those of the ruling elite – are being permeated across popular culture. While we often look at outlets intended for teenagers or young adults (such as movies and music videos), children are definitely not exempt of it. A blatant example is Disney’s new show Gravity Falls, a “quirky and endearing” cartoon about 12-year old twins spending summer with their Great Uncle Stan in Gravity Falls, Oregon.

The 40 seconds long intro theme alone is loaded with symbolism. Here it is.

First, Great Uncle Stan wears a fez, which is the hat worn by the Shriners – an appendant body of Freemasonry. As they like to say, all Shriners are Masons, but not Masons are Shriners.

Stan wearing a Fez hat. Also, he is hiding one eye for the heck of it.

An Old School Shriner.

Up until 2010, only 32nd Degree Scottish Rite Masons (the highest degree attainable other than the honorary 33rd) or Knight Templars of the York Rite could join the Shriners. This means that Grunkle Fez is most probably a high level Freemason. Therefore, he knows what’s the deal with all of these symbols. He knows.

The show is full of eyes everywhere. There’s even a jar of eyeballs for sale at Stan’s store.

All-Seeing eye inside of triangle and more here…

This frame flashes for literally a split second at the end of the intro. We can easily recognize the Illuminati pyramid with illuminated capstone and All-Seeing eye, along with other alchemical and magical symbols. Also, there’s the Contra code on NES, which is rather hilarious.

I won’t start analyzing all of the episodes but here are some interesting shots from the first episode of Gravity Falls.

Aside from the eyeballs everywhere, the little humans in a jar are homunculi – a concept that is found in alchemy and occult rites.

19th-century engraving of Goethe’s Faust and Homunculus

All-Seeing Eye at the apex of the mountain

“Floating eyeballs, are they watching me?”.

The attic of Great Uncle Stan’s shack has a prominent Masonic stained glass window featuring a symbol that is omnipresent in this cartoon.

Stan appears to have two Owl clocks – the owl is an ancient symbol representing the occult elite (those who work in darkness), the Illuminati and the Bohemian Grove.

Check out the rug on the floor.

The letter “A” of the word “Shack” consists of a compass above and All-Seeing Eye, a combination of symbols of found in Masonic symbolism.

The entrance of a Masonic lodge.

In short, Disney’s new show is centered around a specific set of symbols associated with secret societies and the occult elite, which we call the Illuminati. While some might argue that these signs are inserted to add “mystery” to the show, we must also consider the fact that popular culture in general is being permeated with the exact same set of symbols. This show plays it part by exposing young children to the symbolism, which normalizes it and ultimately accomplishes what the occult elite has been doing for centuries: Hiding in plain sight.

My German publisher has rights for all European languages and for a Russian edition, which he says he intends to publish.

I hear that the Chinese are interested in publishing my book. Most likely, South America will follow. Strange, isn’t it, that no serious work that diverges from the US propaganda line can be published in the United States, the country of “freedom and democracy.” What a joke!

In my lifetime, especially the 21st century, the US has become the country of thought control and oppression. The USA today bears no resemblance whatsoever to the country I grew up in. I feel like I am living in a foreign 20th century police state. I have told Press TV (Tehran) and the BBC World Service (London) not to call me any more about controversial issues as, if I speak the truth, it could result in my arrest. Free speech is no longer an American right.

I haven’t been able to tell RT this yet, because the female hosts are so beautiful and most of the interviews are from RT’s Washington, D.C., studio and not from Moscow. I figure that as long as our overlords in Washington permit RT broadcasts from Washington, DC, they can’t arrest me for aiding and abetting “enemies.” I mean, it is our overlords’ fault, right, that “enemies” call me for interviews from Washington DC The overlords could shut down the “enemies” on their home turf, but as long as they haven’t I should be free to speak to RT Washington. Perhaps this is naive, but it seems legally coherent, not that that any longer means anything. Probably RT will quit calling me in order to avoid being shut down by the “freedom and democracy” US government. The “freedom and democracy” government in the UK shut down Press TV, no longer permitted to broadcast to British subjects.

Human Rights attorneys tell me that as the US Constitution is no longer observed by the executive branch, that I can’t speak freely according to my Constitutional rights, the First Amendment and all, without running the risk of being arrested.

They tell me that Bradley Manning has been arrested, tortured, and is currently being framed in a phony prosecution for doing his duty according to the US Military Code and revealing massive US war crimes. The dumbshit American population is unable to accept that they and “their” government are responsible for war crimes. After all, we are “the indispensable people,” second only to god’s chosen people, the Israelis.

Human rights attorneys also tell me that Julian Assange of WikiLeaks has been targeted for his journalistic revelations, protected by the First Amendment, of information leaked to him. Nevertheless, despite his legal protections, he is targeted by Washington for imprisonment, torture, and most likely death.

To comprehend the USA’s rapid descent into police state tyranny, compare Daniel Ellsberg’s leak of the Pentagon Papers to Assange’s publication of US documents leaked to him by a third party. Unlike Ellsberg, Assange himself did not leak the documents. WikiLeaks is in the role of the New York Times, which published the leak from Ellsberg. Neither Ellsberg nor the New York Times were indicted or prosecuted although they were threatened. Yet, Assange, who is in the secondary role as the publisher, not the leaker, faces indefinite detention and torture if Washington can get its hands on him through the corrupt Swedish prosecutor who has “reopened” without evidence the closed Swedish case against Assange.

When you think about how distant Americans are from the events overwhelming them, light years really, it is very difficult to see any hope. Americans are simply not up to the challenge. Americans are mentally and emotionally too weak, and their ignorance is vast, a totally uninformed people. They have no idea of what is happening to them and to the rest of the world as a result of “their” government’s immorality and evil and incessant lies.

Several years ago I had a telephone call from a professor and former dean of a university in Boston. He said that he had been in Washington, D. C., the previous week and had had lunch with some of my former colleagues. He said that when he asked about me, the response was, “poor Craig, if he hadn’t turned critic, he would be worth tens of millions of dollars like us.” Upon hearing this, my acquaintance said that he stood up and announced that he did not realize he was having lunch with a bunch of whores and departed the lunch.

Obviously, my acquaintance did not need anything from my still-well-connected former colleagues. I replied to him that I was pleased that my former colleagues agreed that my integrity was worth more to me than tens of millions of dollars.

The telephone call confirmed my prior decision to leave Washington and confirmed my conclusion that everyone there was bought and paid for by some interest group. A more corrupt place has never existed on earth. The stench of Washington’s corruption and evil even wafts down far into the South, although few of the Republican lemmings can smell it.

That is our government today. It belongs to those who purchase it, courtesy of the Republican US Supreme Court, not to those voters whom the government allegedly represents.

The baldfaced truth is that in America the people have no rights and no representation. The American people are a nonentity. Far from being indispensable, they are totally dispensable, just like the thousands of Arab women and children whose murders are dismissed as “collateral damage” in the hoax war on terror. Washington has taken a page from Mao, “democracy issues forth from the barrel of a gun.”

July 11, 2012

Paul Craig Roberts, a former Assistant Secretary of the US Treasury and former associate editor of the Wall Street Journal, has been reporting shocking cases of prosecutorial abuse for two decades. A new edition of his book, The Tyranny of Good Intentions, co-authored with Lawrence Stratton, a documented account of how americans lost the protection of law, has been released by Random House. Visit his website.

In the July edition of the Symbolic Pics of the Month: Lindsay Lohan, Rihanna, Nicki Minaj and Katharine McPhee. Also: What the hell is wrong with the fashion world?

This photoshoot from Bulgarian fashion mag 12 Magazine features models mutilated in all kinds of sick ways. While the photoshoot is supposed to showcase “makeup”, it is mostly another way of glamorizing violence and dehumanization in mass media, especially in the fashion world. This model has a black eye which is also a way to flash the one eye sign.

This one has a creepy smile carved in her face, as if she was tortured by a sadistic torture guy.

Her was face apparently burned by acid or something…these are the of kind of mutilations that purposely leave lifetime scars to send a message to someone.

She got her neck slit…And look at that fabulous eye shadow!

Star Photographer Terry Richardson has been featured a few times on this site due to his disturbing, degrading and symbolic photoshoots. A recent example is this photoshoot featuring the troubled actress Lindsay Lohan. In this pic, she is holding a loaded gun to her head. The most unsettling thing about this pic is Lohan’s expression – she appears genuinely not well.

I guess that’s another way to do it.

Beth Ditto flashing the one eye sign (again).

Speaking of one eye, it keeps appearing everywhere for no apparent reason, like in this Bape catalogue.

Same catalogue, same sign.

This Disney shirt is sold in Target stores everywhere. I guess that’s a good way have little girls where the one-eye sign everywhere they go.

The cover of Japanese magazine Koakuma Ageha combines the one eye sign with a mask (representing alter personas in Mind Control).

Speaking of mind control, Jason Gardiner, judge of the Australian show Dancing On Ice poses oddly in this widely publicized pic with a butterfly on his mouth. While Australian papers described the pic as “bizarre”, a little knowledge in symbolism is enough to realize that the butterfly silencing Gardiner represents Monarch mind control.

Israeli singer Marina Maximilian Blumin on the cover of a magazine with a Monarch butterfly under one eye. She was discovered in an American-idol type show, which is the music industry’s new preferred way to discover, to control and to introduce new artists to the masses.

British singer Rita Ora was also discovered in one of these shows and is now signed with Jay-Z’s label Roc Nation. In this pic, she is wearing an eye with a triangle as a pupil. Right under the necklace, her shirt says “Made Me”. Did the Illuminati industry make her? It certainly did.

Katharine McPhee, the star of the NBC show Smash was discovered on an American Idol-type show. In her case: American Idol. In this symbolic promotional poster, she is at the top of a pyramid made of people. The “A” from smash forms the capstone of the pyramid while Katharine’s eye is right in of it the middle, making this poster a subtle tribute to the Illuminati industry. The phrase “Stars aren’t born, they’re made” pretty much sums up how the industry functions.

The plot of Smash revolves around the production of a Broadway Musical on Marilyn Monroe – the prototype of the blond Monarch sex kitten, slave to the industry. Katharine is therefore yet another star who dresses like Marilyn at one point of her career.

Nicki Minaj is another Marilyn Monroe wannabe. I am pretty sure she is not naturally blonde.

Rihanna performing on SNL. Behind her: a huge eye inside a triangle. Yes, RiRi, we know who’s the boss of you.

At Hackney, Rihanna performs “Man Down” under a lighted pyramid topped by the Eye of Horus.

Hmmmmmmmmmmm……

The Grand Priestess of the music industry is back on tour and it began in Tel-Aviv, Israel. As we’ve seen in the article on the 2012 Superbowl Half-Time show, Madonna signed a multi-year deal with Interscope records and, since then, all of her new works fully embrace the same Illuminati Agenda as the rest of the music industry. However, since it is Madonna things are taken to another level. People have come to expect controversy from Madonna, but this is not simply controversy for the sake of it like she used to do  in the 90′s. Nope, this is symbolic and calculated controversy, engineered to carry all of the Illuminati’s messages. Here’s a short article from the Telegraph that sums up her show.

Madonna tells Israel: you can’t be a fan of mine and not want world peace

Madonna, whose conversion to the esoteric Jewish sect Kabbalah sparked an unlikely trend in Hollywood, launched her world tour in Tel Aviv last night with a plea for peace in the Middle East.

The American singer greeted 30,000 Israeli fans in Tel Aviv’s Ramat Gan Stadium with the declaration: “You can’t be a fan of mine and not want peace in the world”. Her management had distributed hundreds of free tickets to

“We all bleed the same colour,” Madonna told her ecstatic crowd, standing against the backdrop of an enormous illuminated crucifix and satanic symbols. “If we can all rise above our egos and our titles and the names of our countries and our religions, and treat everyone around us with dignity and respect, then we are on the road to peace. If there is peace here in the Middle East, there can be peace in the whole world.”

The diva then went on to perform her song “Gang Bang” accompanied by images of blood stains, video clips showing the singer spraying bullets from both a hand gun and a machine gun, and closing on the phrase “die, bitch!”

Israel’s ultra-orthodox community, however, were outraged that the “Like A Virgin” singer was performing in the Jewish state. A report in religious journal ‘HaEda’ described the tour as “disgraceful” and claimed rumours the “famous gentile singer” would be visiting religious sites in the country’s north had spared “pain and rage within the god-fearing community”.

Madonna has reportedly postponed a planned tour of Galilee following protests by the local religious community.

- Source: The Telegraph

So the show began with Madonna pleading for “world peace”, a slogan of the New World Order. A few minutes later, she dances around toting machine guns, revolvers and an AK-47 – a weapon that is widely used in wars across the world, including in Israel. The cognitive dissonance between what Madonna says (i.e. “If there is peace here in the Middle East, there can be peace in the whole world”), and what she does (shooting and killing bunch of people with blood stains everywhere) is typical of Illuminati double-speak. Like Orwell wrote several decades ago, WAR IS PEACE, FREEDOM IS SLAVERY, and IGNORANCE IS STRENGTH.

Glamorizing death, violence and oppression. Also, leopard prints represent Sex-Kitten programming, hinting that these women were “programmed” to do this.

Atop hypocritical double-speak involving war, there is also hypocritical double-speak involving spirituality. After her moralizing speech about “respect”: “If we can all rise above our egos and our titles and the names of our countries and our religions, and treat everyone around us with dignity and respect, then we are on the road to peace”, the show turns into a big Black Mass insulting Christianity.

The show begins with a red (bloody) illuminated crucifix bearing the letters MDNA – an acronym strangely similar to MDMA, another name for Ecstasy – a drug that is very popular on dance floors across the world.

Madonna’s Black Mass included monks turning into male strippers along with guts, guns and satanic symbols being flashed on the walls. Things that so many pop stars did in the recent years. This is not about art, this is all-out, insistent propaganda.

In short Madonna’s MDNA tour reflects how the Illuminati confuses the world with its double-speak. It lulls the world with talks of “world peace” while glamorizing the death, bloodshed and oppression of the masses. It moralizes people about “religious tolerance” while systematically attacking and destroying all faiths that are not part of the belief system of the world elite – which incidentally includes a bastardized version of Kabbalah as practised by Madonna, the Grand Priestess of the Illuminati music business.

Several newspapers have reported that Lauryn Hill was in trouble with the government for not filing taxes from 2005-2007. While I do not know (nor care) about her financial status and her tax paying habits, I found Hill’s response to the charges quite compelling. In a first public statement in years, Hill describes the control, manipulation and exploitation of the music industry and her efforts to get away from it all. Here’s the letter published on her new Tumblr account.

It was reported yesterday that Ms. Lauryn Hill has been charged with three counts of misdemeanor failure to file taxes.  These charges were incurred for the years of 2005-2007, during a time in which Ms. Hill had removed herself and her family from society, in order to keep them safe, healthy, and free from danger.  In response to these charges, Ms. Hill has issued the following statement:

“For the past several years, I have remained what others would consider underground.  I did this in order to build a community of people, like-minded in their desire for freedom and the right to pursue their goals and lives without being manipulated and controlled by a media protected military industrial complex with a completely different agenda.  Having put the lives and needs of other people before my own for multiple years, and having made hundreds of millions of dollars for certain institutions, under complex and sometimes severe circumstances, I began to require growth and more equitable treatment, but was met with resistance.  I entered into my craft full of optimism (which I still possess), but immediately saw the suppressive force with which the system attempts to maintain it’s control over a given paradigm.  I’ve seen people promote addiction, use sabotage, black listing, media bullying and any other coercion technique they could, to prevent artists from knowing their true value, or exercising their full power.  These devices of control, no matter how well intentioned (or not), can have a devastating outcome on the lives of people, especially creative types who must grow and exist within a certain environment and according to a certain pace, in order to live and create optimally.

I kept my life relatively simple, even after huge successes, but it became increasingly obvious that certain indulgences and privileges were expected to come at the expense of my free soul, free mind, and therefore my health and integrity.  So I left a more mainstream and public life, in order to wean both myself, and my family, away from a lifestyle that required distortion and compromise as a means for maintaining it.  During this critical healing time, there were very few people accessible to me who had not already been seduced or affected by this machine, and therefore who could be trusted to not try and influence or coerce me back into a dynamic of compromise. Individual growth was expected to take place unnaturally, or stagnated outright, subject to marketing and politics.  Addressing critical issues like pop culture cannibalism or its manipulation of the young at the expense of everything, was frowned upon and discouraged by limiting funding, or denying it outright.  When one has a prolific creative output like I did/do, and is then forced to stop, the effects can be dangerous both emotionally and psychologically, both for the artist and those in need of that resource.  It was critically important that I find a suitable pathway within which to exist, without being distorted or economically strong-armed.

During this period of crisis, much was said about me, both slanted and inaccurate, by those who had become dependent on my creative force, yet unwilling to fully acknowledge the importance of my contribution, nor compensate me equitably for it.  This was done in an effort to smear my public image, in order to directly affect my ability to earn independently of this system.  It took a long time to locate and nurture a community of people strong enough to resist the incredibly unhealthy tide, and more importantly see through it.  If I had not been able to make contact with, and establish this community, my life, safety and freedom, would have been directly affected as well as the lives, safety and freedom of my family.  Failure to create a non toxic, non exploitative environment was not an option.

As my potential to work, and therefore earn freely, was being threatened, I did whatever needed to be done in order to insulate my family from the climate of hostility, false entitlement, manipulation, racial prejudice, sexism and ageism that I was surrounded by.  This was absolutely critical while trying to find and establish a new and very necessary community of healthy people, and also heal and detoxify myself and my family while raising my young children.

There were no exotic trips, no fleet of cars, just an all out war for safety, integrity, wholeness and health, without mistreatment denial, and/or exploitation.  In order to liberate myself from those who found it ok to oppose my wholeness, free speech and integral growth by inflicting different forms of punitive action against it, I used my resources to sustain our safety and survival until I was able to restore my ability to earn outside of it!

When artists experience danger and crisis under the effects of this kind of insidious manipulation, everyone easily accepts that there was something either dysfunctional or defective with the artist, rather than look at, and fully examine, the system and its means and policies of exploiting/’doing business’.  Not only is this unrealistic, it is very dark in its motivation, conveniently targeting the object of their hero worship by removing any evidence that they ‘needed’ or celebrated this very same resource just years, months or moments before.  Since those who believe they need a hero/celebrity outnumber the actual heroes/celebrities, people feel safe and comfortably justified in numbers, committing egregious crimes in the name of the greater social ego.  Ironically diminishing their own true hero-celebrity nature in the process.

It was this schism and the hypocrisy, violence and social cannibalism it enabled, that I wanted and needed to be freed from, not from art or music, but the suppression/repression and reduction of that art and music to a bottom line alone, without regard for anything else.  Over-commercialization and its resulting restrictions and limitations can be very damaging and distorting to the inherent nature of the individual.  I Love making art, I Love making music, these are as natural and necessary for me almost as breathing or talking.  To be denied the right to pursue it according to my ability, as well as be properly acknowledged and compensated for it, in an attempt to control, is manipulation directed at my most basic rights!  These forms of expression, along with others, effectively comprise my free speech!  Defending, preserving, and protecting these rights are critically important, especially in a paradigm where veiled racism, sexism, ageism, nepotism, and deliberate economic control are still blatant realities!!!

Learning from the past, insulating friends and family from the influence of external manipulation and corruption, is far more important to me than being misunderstood for a season!  I did not deliberately abandon my fans, nor did I deliberately abandon any responsibilities, but I did however put my safety, health and freedom and the freedom, safety and health of my family first over all other material concerns!  I also embraced my right to resist a system intentionally opposing my right to whole and integral survival.

I conveyed all of this when questioned as to why I did not file taxes during this time period.  Obviously, the danger I faced was not accepted as reasonable grounds for deferring my tax payments, as authorities, who despite being told all of this, still chose to pursue action against me, as opposed to finding an alternative solution.

My intention has always been to get this situation rectified.  When I was working consistently without being affected by the interferences mentioned above, I filed and paid my taxes.  This only stopped when it was necessary to withdraw from society, in order to guarantee the safety and well-being of myself and my family.

As this, and other areas of issue are resolved and set straight, I am able to get back to doing what I should be doing, the way it should be done.  This is part of that process.  To those supporters who were told that I abandoned them, that is untrue.  I abandoned greed, corruption, and compromise, never you, and never the artistic gifts and abilities that sustained me.”

- Source: Tumblr

As it is always the case when celebrities reject and pull away from the industry, Hill has been often portrayed as crazy and unstable in the media. However, those who know about the dark side of the industry know that Hill did the only SANE thing one can do in her situation: Get out.

CNBC admits We’re all SLAVES to (Rothschild) Central Banksters ‘Global Governance’ aka NWO Tyranny!